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Light and the Sublime

Light and the Sublime

According to week four studies light produced in the day is capable of giving away spectrum that emanates from the sunshine. The space in the middle of light and darkness the sky blossoms displaying beautiful colours ranging from yellow, red and orange. It is evident that more colours could be observed. This artist engaged in an unusual task that included the sculpturing the edge of the ancient formation known as the Roden Crater in order to forms a symmetrical design. This creation was artistic since it was capable of capturing light produced in the skies and further exposing the boundaries of the human beings.

In this lecture, Ross highlights that James utilises simple material to capture external lighting, he uses average plasterboards that have commercial fittings of light, modified projectors and openings on the constructed walls. These simple design methods confuse the understanding of the normal visual perception of a room, light becomes a tangible element that is capable of being manipulated. In this work, he has technical light aspects such that make the observer acquire sublime and pristine appearance into the light and space. In his work, it is vital to note that he uses light as a basis of individual perception some of the projects created include the Mendota Stoppages that were created by fine-tuning space on this artist’s studio in order to trap and direct light effects created from the streetscape. It is evident that this artist manipulates light from the streets, which includes the street traffic lights, light from the stores, moving vehicles, which are collected together and displayed on the walls in order to create a pattern in the internal space[1].

The wedge works often directs the entire natural and non-natural sources of light; these works create transparency, opacity, and translucency elements. In this aspect, light occupies the area through the development of a Ganzfeld, which is an invention of creating colours that are the same, and there is lack of the insight of form since light is a physical field. A critical analysis highlights that in this form of production light appears as a physical curtain.

The trance elements on the other hand, are projects that give a classy appearance to the paintings that are often displayed in the walls of a dark room. When an individual approaches a painting, they see triangles of colour and various optical aspects that shift in the painting. The observer will find out that they are not actual paintings they are portals of other different rooms. This form of light presentation is created by trapping the ambient light in that space. It is evident that the paintings in a room will react to the occurrences in the outer space. In Another project known as the Blind sight, James elaborates the aspect of visual perception that includes the analysis of the rod and cone vision. When an individual goes in a dark room, he is incapable of seeing anything but after a few minutes an individual naturally begins to see any item placed in the room and the colour of the elements present in the room. It is from this element that James creates this style where the observer is not capable of knowing what is in the room. This aspect captures the insight of an observer in the case of tangible reality[2]. The observer experiences the space between light and darkness and the space of the scene and imagined image.

In the air mass project, James explains light from the skies where an observer experiences the fluctuation shift that occurs in the colour of the skies. It is evident that the observer who sits on the space to watch the sky will experience a wide range of colours ranging from the sunset to sunrise and how they sublimely occur. James controls light to create fine shades of various forms in his works. He gives the observer space to imagine, visualise, and make his own judgement while observing various forms of light as displayed in different rooms. This art in reality occurs in the mind of the viewer who has the task of distinguishing the form of light in his mind.

James sky space evidently utilizes the elements of the sky to explore the interior light of the Live Oak Friends Meeting House, which is similar to that of St. Patrick’s Cathedral in Melbourne. The Sky space noticeably changed the people’s insight of the Houston sky. In the building, there is a square opening in the center of the ceiling and darkness represents an aspect of lost depth. James explains that this space represents the design in two dimensions and it has inspired numerous people to change certain aspects in their social life, for example, the changes that occurred in the department of the Live Oak Friends Meeting.

These interior design has influenced historically the presence of light was a positive aspect in the society; interior design has added meaning to light[3]. Christians associate with light innumerous ways since it represents God and Allah for Muslims. Light provides a message since it spreads throughout the world it is enormous in all aspects and it speaks volumes to people. Light is another key representative of acts of kindness, it is in the consciousness of people, a gift to those who fear the dark and it is also warm in form of sunlight.

Numerous artists of space should utilize the different forms of interior design related to art in order to create desirable space for the people who love design. Space artists are capable of manipulating light from all the natural and non-natural light to form creative interior designs in a space that was once plain. Light in a room can be used to speak volumes to other individuals; it can be manipulated to send messages across people while at the same time bringing beauty in the space. There are various spaces that can be improved with light as an aspect of interior design for example, walls, ceilings and floors.

Another interior than I believe could be a destination for the next week that I have chosen to write about is color. Color is significant for humans because it helps in distinguishing and categorizing things. The key colors red, yellow, green and blue are colors derived from the spectrum of light. The experiences of light and color are inseparable and interdependent because the two aspects cannot be separately analyzed. Individuals’ perception and experience of color on the environment is greatly influenced by the quality and the intensity of light. The distribution of light is also essential on individuals’ judgment of color. Color plays a vital role in the field of art, architecture, design and communication.

The aspect of color for interior is significant because different colors and the shades applied send different messages across. Color influences individuals’ wellbeing, comfort and discomfort, feelings and experiences. In his lecture, Ross highlights that James Utilizes light to capture the external lighting, and in order to capture the effect of light, the walls and ceilings should have the right color. This will ensure that the theme intended in the work of art clearly comes out. The most significant aspect that brings out color is the correct interaction between color and light known as inter -disciplinary approach of an interior. Natural color is also important because when accompan8ied with natural or artificial light appears extremely creative. Most artists embrace different natural colors because they indicate originality in their works of art and also bring out the natural beauty in building and other architectural works. A clear example is that in order for individuals to distinguish between different a hospital and a place of entertainment, the color in the interior should be different. Dull colors may derail the recovery of period of patience while light colors lighten up individuals spirits and speeds up recovery.

Interior color may be used to create different patterns in a building and its surroundings to bring out different interpretation by the mind. A dimly light room for example, may look bright when painted in different colors. This is because the human aspect of vision is controlled by light and color. This is because the two aspects have a mutual dynamic relation and they influence a person’s judgment and perception on different other issues. Color also aids in communication. Different buildings have been painted in different colors to pass across different messages. Certain companies and firms are easy to identifiy through the colors on the walls and ceilings. This is because the companies ensure that their customers are able quickly identified the building and decrease cases of lose of customers.

Colors are vital to symbolize different experiences, situations and places. This is because color has a clear linkage to individuals’ personal thought and spirituality. Color red, for example, is used to symbolize death and fear. Therefore, artists are receive idvise to be careful when choosing the colors to be painted on the walls and ceilings of buildings. Buildings used for different purposes are usually painted to serve the purpose that they are meant to serve.

Different colour presentation in buildings is significant for both beauty and comfort. When buildings are painted, most observers will find out that they are not actual paintings they are portals of other different rooms. This form of colour presentation is created by trapping the ambient colour at a particular place and space. It is evident that the paintings in a room will react to the occurrences in the outer space. In Another project known as the Blind sight individuals are able to understand that the aspect of visual perception that includes the analysis of the rod and cone vision. When an individual goes in a dark room he is incapable of seeing anything but after a few minutes an individual naturally begins to see any item placed in the room and the colour of the elements present in the room. It is from this element that people are able to create this style where the observer is not capable of knowing what is in the room. This aspect captures the insight of an observer in the case of tangible reality. The observer experiences the space between colour and darkness and the space of the seen and imagined image.

When analysing colour, individuals should be careful enough to identify the correct colours. Failure to identify the correct colours may be tragic because the interior of a particular building may not satisfy individuals’ quest. When identifying colour, it may be difficult for individuals to agree on the same colour this is because there are numerous shades of colour that appear differently under different lighting systems. Individuals embrace different colours because of the difference in their aspect of reality and satisfaction. During the application of different colours on the building, individuals should be careful enough to ensure that whatever they are doing is in perfect shape. When colour is not properly applied, it may fail to bring out the intended texture and feel. Application of light to the interior of different buildings may also act to improve the intended expectation of an individual or fail to meet their expectation. In conclusion, it is vital to understand that both light and colour are important interior in a building. This is because they add value, beauty and a theme to buildings.



[1] James Turrell Matthias Haldemann; Florian Holzherr; Kunsthaus Zug.; Walter A. Bechtler Stiftung. c2010- James Turrell : geometrie di luce : Roden Crater project

[2] James Turrell David Anfam; Albion Gallery. c2004- Air mass, James Turrell Susan Ferleger Brades; Christine Taylor; Mark Holborn; South Bank Centre.; Hayward Gallery. 1993

[3] James Turrell Agostino De Rosa; UniversitŠ“ Iuav di Venezia. c2007- James Turrell : projection works, 1966-69


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